In my second year of IIT, I wanted to learn the guitar. So I got one and started strumming it. I asked aadi, a fellow southieite and my 2nd year roomie, to teach me how to play it. (aadi, uff fluf fluf, uff gaund, uff lots of other things. a wierdo, but one of my closest friends too)
Now he taught me 3 chords to start. I still know how to play them. I think they were G, C and C major or something like that. Apparently my playing was quite clean.
But in a couple of days, playing chords became so damn boring! It was an ordeal to pick up some new chords and keep doing the same thing. And aadi told me that for the first 1-2 months thats all I would have to practise to learn the guitar.
My reaction was like .. "no songs?" .. so then he taught me how to play songs .. i watched his finger positions and learnt to dplicate them real fast .. learnt "tujhe dekha to ye jaana sanam" and "o o jaane jaana" .. senti songs very much in vogue then .. that was fun ..
and then the guitar passed out of conscious awareness ... the poor thing was cracked open by Bala sometime in third year and later used up as fuel for one of our wing bon-fire parties.
Thats been my bout with music ... that is in terms of trying to make music.
Well, a month back a very dear friend, Meera, tried to teach me fundaes of how classical music has these concepts of ragas ... ragas are specific algorithms of the different notes in any musical composition and one raga can be used to create a fair variation of music ... while the basic notes would remain the same, the musical composer can play around with the quality of each note by varying the instrument involved etc. Sounded very logical and scientific to me .. I was a bit surprised to find such an organized approach to music, mostly considered as a refined art and assumed to be remote from any logical construct.
Then this thought struck me ... that what if the sounds that we like follow a fixed trend? As in notes in a specific sequence of frequency/amplitude/quality etc. would always create a pleasing response? The parameters that define one musical note are the frequency, amplitude and quality. Frequency defines shrillness, amplitude defines volume and quality is decided by the instrument it comes from (quality is quite difficult to define for me).
If we take all the musical peices and break them up into their component functions of frequency, amplitude and quality and then have a wide range of people rank these peices, we can then do a correlation analysis of the musical graph with its rankings. We can then isolate sequences and trends which are most likely to get a favourable response. Effective programming and enough data to go by, can then create a software that mizes and matches and creates unique musical peices which are sure to be loved by the audience. We could create a Digital Musical Composer!
I hope someone tries out all of this. Cause I'm too lazy to do so.
Yukon ho,
-Kashy